From the category archives:

online video

<center>The sign for our sesson on Women in New Media at Podcamp Boston 4</center>

The sign for our sesson on Women in New Media at Podcamp Boston 4

Last year at Podcamp Boston my friends Whitney, Selena, Gina and I held a session meant to be entitled “Women- are we holding ourselves back in New Media” but instead was entitled “Puma’s Cougars and Cocks-who wins?”

It was a very well attended and vibrant session-but I felt like I had sold out. It seems the only way to get women to attend an important discussion focused on their own prosperity was to couch it in male centric terms.

This past week I participated in SheParty, a virtual twitter cocktail hour meant to amplify women’s voices and alter the public discourse. This weeks’ discussion focused on the small numbers of women represented in the news media and marveled at how active women are in the Tea Party, but not when it comes to fighting for women’s equality.

During the SheParty I asked the Michigan Women’s Forum, “but where is our responsibility? Media is powerful but women make choices-why do we always choose male pov? Read Post

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Today is a momentous day.

Today I launched our Kickstarter campaign to raise the funds for my next online video project Better Left Unsaid.

A first of its kind, live streamed theatrical event, Better Left Unsaid combines all my passions, theater, technology, community and online video.

My love of the theater is almost as old as I am. Every decision I have ever made in my life has in some way been Read Post

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Online Video- I Clarify!

by kathryn on July 12, 2010

in actor, online video, video

Steve Garfield takes a picture of himself, his inimitable mother Millie Garfield and myself in a monitor at Video on the Net, Boston, 2007. Photo by SteveGarfield

Finish Reading Post

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*crossposted at betterleftunsaid.tv

synchronis.tv

Arthur Aulisi as "Cal" in "35"

I’m Back!

Three years ago all my myriad passions, theater, film, online video social media, merged into the my proudest personal achievement “35″, the first scripted drama to stream live. Producing a multi-camera, 10 episode series, live, in New York on almost no money was impossible. It should never have happened. But I believed in that project. Finish Reading Post

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  1. There are no quality online video series.
  2. Online Video has no viable commercial future.

…or so Ari Rosenberg asserts in his April 29th Online Publishing Insider article, Online Video Has No Character .

In this post I’m focusing on Ari’s first premise- there is very little quality original content on the web.  (My focus here is original online video series- television content repurposed for the internet is, as Ari notes, an entirely different story).

When I first started working in online video almost four years ago I had the opportunity to hear the incredibly inspiring online video pioneer Fred Seibert speak.  Fred had recently launched  Next New Networks, and espoused his view that there, in the salad days of online video, we needn’t waste time and money striving for perfection because for now at least  ”good enough” was enough to be successful online.

Four years later “good enough” has produced thousands of hours of “who cares?”. Most video series are fine, sometimes well written sometimes well acted, sometimes well shot…in fact I would describe most video content as fine, but ”not good enough for tv”.

Now that’s depressing. For the first time in entertainment history, independent artists have the ability to green light their own passions, to have their work viewed by a global audience, to shape cultural history. Instead, collectively we have arrived at a paradigm of derivatism and mediocrity. In fact I think the notion of TV is indeed the very problem, right down to the .tv domain. The term “internet tv” implies TV budgets, TV stars, TV formats and a one way viewing experience.  Already we are doing ourselves a disservice.

Online video series may not offer big stars or big budgets, but online we have the opportunity to invent new creative paradigms.  No longer constrained by the 2 dimensional 4.3 screen, or FTC rules or 22 minute story arcs or corporate funders or expensive production that forces us to cater to the common denominator,  we have the occasion to expand our idea of visual storytelling, to build new and unimagined interactive storytelling experiences and to harness our  communities in ways bound only by current technology, which itself is constantly evolving and creating new creative possibilities.

Online video series and the artists that create them will thrive when we embrace the interactive properties that are inherent to the internet. This is where our creative strength lies. This is where they key to compelling story lines and original, memorable characters lie. And who knows, maybe we’ll even stumble upon a business model along the way.

I’ll address Ari’s second point about online videos long term commercial viability in a follow-up post.

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